First works. Dracula
Evidently, Stoker was a man of considerable energy and talent. As well as being acting manager of Irving's theater, he delivered lectures, traveled extensively, toured with Irving's acting company, and he wrote several novels, as well as several works of non-fiction. His first novel, a romance entitled The Snake's Pass, was published in 1890. Then, written over a period of several years, beginning in 1890, Stoker's masterpiece, Dracula, was published by Archibald Constable in 1897. The book has continued to grip the public's imagination ever since, and it has never been out of print since its publication. Upon the publication of Dracula, Charlotte Stoker, the author's mother, felt the book would bring Bram immediate success, and she personally liked the book very much.
Stoker dedicated Dracula to one of his close friends, Hall Caine, who was also a novelist; in fact, few people know that the "dear friend Hommy-Beg" of the dedication is Hall Caine. "Hommy-Beg" is an affectionate childhood nickname for Caine, which means "little Tommy."
During his recovery from a stroke which occurred soon after Irving's death, Stoker wrote a book of non-fiction which he called Personal Reminiscences of Henry Irving (1906), a volume about both the famous English actor and Stoker himself. Meanwhile, Stoker had earlier published The Mystery of the Sea, in 1902, and he produced another romantic novel, The Man, in 1905. Both novels are interesting reading, primarily for their examination of the roles of women in society, as well as for Stoker's characterization of women.
Stoker did not cease to write stories of horror and mystery after he finished Dracula. After Dracula, his novels of mystery and horror include The Jewel of Seven Stars (1903), a compelling Rider Haggard-like tale of adventure and romance set in Egypt, The Lady of the Shroud (1909), and The Lair of the White Worm (1911), both of which are interesting novels and deserve more than a passing glance, though they are not near the achievement that Dracula is. Some of Stoker's short tales of horror, particularly "Dracula's Guest," an episode cut from the final version of Dracula, as well as the Poe-like "The Judge's House," are very good and well worth reading.
Regardless of which novel Stoker himself considered his best, Dracula remains his most popular work, and it has spawned countless adaptations and spin-offs in plays, novels, and movies, as well as comic books. Critical analyses and psychological interpretations of Dracula abound.
Stoker dedicated Dracula to one of his close friends, Hall Caine, who was also a novelist; in fact, few people know that the "dear friend Hommy-Beg" of the dedication is Hall Caine. "Hommy-Beg" is an affectionate childhood nickname for Caine, which means "little Tommy."
During his recovery from a stroke which occurred soon after Irving's death, Stoker wrote a book of non-fiction which he called Personal Reminiscences of Henry Irving (1906), a volume about both the famous English actor and Stoker himself. Meanwhile, Stoker had earlier published The Mystery of the Sea, in 1902, and he produced another romantic novel, The Man, in 1905. Both novels are interesting reading, primarily for their examination of the roles of women in society, as well as for Stoker's characterization of women.
Stoker did not cease to write stories of horror and mystery after he finished Dracula. After Dracula, his novels of mystery and horror include The Jewel of Seven Stars (1903), a compelling Rider Haggard-like tale of adventure and romance set in Egypt, The Lady of the Shroud (1909), and The Lair of the White Worm (1911), both of which are interesting novels and deserve more than a passing glance, though they are not near the achievement that Dracula is. Some of Stoker's short tales of horror, particularly "Dracula's Guest," an episode cut from the final version of Dracula, as well as the Poe-like "The Judge's House," are very good and well worth reading.
Regardless of which novel Stoker himself considered his best, Dracula remains his most popular work, and it has spawned countless adaptations and spin-offs in plays, novels, and movies, as well as comic books. Critical analyses and psychological interpretations of Dracula abound.
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